Colonne mitigeur thermostatique à cadran entraxe 175 ± 30 mm, douche sur colonne + pomme ø 220 mm anti-calcaire + douchette + flexible + crochet
Débits:
• Pomme de douche : 18 L / mn
• Douchette : 14 L / mn
Complete thermostatic wall shower with ceramic dial - mixer centers 175 ± 30 mm, showerhead Ø 220 mm with anti-scale nozzles on column + handshower + flexible hose + wall hook
Flow rate :
• Shower head : 18 L / mn
• Handshower : 14 L / mn
Reference 65.745
Finishes 13 Finishes
Nickel plating can offer different aspects, satin, brushed, matt, velvet, mirror…
The nickel finish, more “yellow” than the chrome finish, has the particularity of presenting a nice silver effect.
This finish is reinforced by a second nickel bath to strengthen its resistance to lime scale.
Nickel plating can offer different aspects, satin, brushed, matt, velvet, mirror…
The nickel finish, more “yellow” than the chrome finish, has the particularity of presenting a nice silver effect.
This finish is reinforced by a second nickel bath to strengthen its resistance to lime scale.
The old and patinated aspects of notably old bronze, old copper, greens of grey or brass are also the result of patina baths which, when mastered, mimic the ageing of the metal thanks to a chemical oxidation on the surface of the piece. A matt or glossy colourless varnish or even a wax for a more natural look can then be applied and baked in the oven to freeze the colour. In its absence, the tint will naturally age.
The old and patinated aspects, in particular the old bronzes, the old coppers, the verdigrises’ or the coppers also come from patina baths which, when controlled, imitate the aging of the metal thanks to a chemical oxidation of the surface of the piece . A colourless matt or gloss varnish or even a wax for a more natural look can then be applied and baked in the oven, to freeze the colour. In its absence, the tint will naturally age.
The old and patinated aspects, notably old bronzes, old copper, the verdigrises’ or brass are also the result of patina baths which, when controlled, mimic the ageing of the metal thanks to a chemical oxidation of the surface of the piece. A matt or glossy colourless varnish or even a wax for a more natural look can then be applied and baked in the oven to freeze the colour. In its absence, the tint will age naturally.
The old and patinated aspects, in particular the old bronzes, the old coppers, the verdigrises’ or brasses also come from patina baths which, when controlled, mimic the aging of the metal thanks to a chemical oxidation of the surface of the piece. A colourless matt or glossy varnish or even a wax for a more natural appearance can then be applied and baked in the oven, to freeze the colour. In its absence, the tint will naturally age.
The old and patinated aspects, in particular the old bronzes, the old coppers, the verdigrises’ or brasses also come from patina baths which, when controlled, mimic the aging of the metal thanks to a chemical oxidation of the surface of the part. A colourless matt or glossy varnish or even a wax for a more natural appearance can then be applied and baked in the oven, to freeze the colour. In its absence, the tint will naturally age.
Semi-precious, even precious, finishes like silver and gold, fashionable in the 1980s, are also applied after nickel plating. They are lacquered or matt, aged or brushed.
The old and patinated aspects, in particular the old bronzes, the old coppers, the verdigrises’ or brasses also come from patina baths which, when controlled, mimic the aging of the metal thanks to a chemical oxidation of the surface of the part. A colourless matt or glossy varnish or even a wax for a more natural appearance can then be applied and baked in the oven, to freeze the colour. In its absence, the tint will naturally age.
The gold thicknesses are low, between 0.2 and 1.5 microns for the most luxurious faucets (21 carats) compared to more than 3 microns in goldsmith’s trade. For silver, the thicknesses are less than 33 microns applied as in the tableware sector. Most of the time, it must be protected by a varnish, which avoids, especially in a humid environment, the phenomenon of sulfurization / oxidation.
The gold thicknesses are low, between 0.2 and 1.5 microns for the most luxurious taps (21 carats) compared to more than 3 microns in goldsmith’s trade. For silver, the thicknesses are less than 33 microns applied as in the tableware sector. Most of the time, it must be protected by a varnish, which avoids, especially in a humid environment, the phenomenon of sulfurization / oxidation.
